As they venture deeper into the woods, they realize all is not right, and things get progressively more strange, and they realize they most definitely are not alone. Blair Witch centers on a group of teenagers who decide to venture into the Black Hills Forest, where they are trying to figure out what happened to Heather (the girl from the first Blair Witch) nearly 20 years ago, who just so happens to be James' ( James Allen McCune) sister. The sequel picks up in 2016 and sticks to the timeline and the lore established by the original movie. Now, nearly 20 years later, Lionsgate has made a sequel to that movie, which was originally called The Woods, but what we now know is actually called Blair Witch, and it is without question the best sequel that you had no idea you needed or wanted.
#Who directed the blair witch project 2016 movie#
There is no doubt it was a monumental movie in the history of horror, and it started the found footage craze that is still going on today. It’s a fun and mostly effective ride while it lasts, part Slenderman creepypasta weird and part full-on, nerve-jangling horror, but it’s ultimately, perhaps unavoidably, unsatisfying.There are very few things that mean as much, be it good or bad, to a horror fanatic than The Blair Witch Project. They quickly run afoul of those eerie stick symbols, and familiar chaos ensues.īarrett throws in a number of small but original twists to the continuing “legend” of the Blair Witch, and Wingard, who also penned the film’s terrific, minimal score, does his damnedest to raise goose bumps, but even a team as talented as these two have little to add to what is, when you think about it, this most ancient of campfire stories. – and the four head unadvisedly into the woods. Friend Lisa (Hernandez) brings along her doc gear – cameras, mics, etc. James (McCune), the now-adult brother of long-lost Heather from Eduardo Sánchez and Daniel Myrick’s original, recruits three friends to head back into the Blair Witch’s territory after a mysterious DV tape is uploaded onto YouTube.
When you cut right down to the bone, it’s the same movie, only much, much louder. A sequel by marketing PR only, it’s actually a remake updated to include some better hand-controlled tech (a drone, ear-cams, walkie talkies) for the characters to use, but that’s really minor stuff.
Like Kiss or probably Motörhead once said, “If it’s too loud, you’re too old.”) Kudos, then, to sound effects editor Dan Kremer and supervising sound editor Andy Hay.ĭirector Adam Wingard and writer Simon Barrett’s sequel to 1999’s phenomenally successful found-footage freak-out The Blair Witch Project knows it can’t recapture the magic of the original – that would require deleting the internet, for one thing, since back in the late Nineties, the original was touted as being a real documentary, thus massively upping the disturbathon quotient – but it does its best. Don’t bring Kleenex or a hoodie to hide under – bring earplugs. She – or it, or whatever – roars in for the most part unseen, terrifying the bejesus out of the audience with the sort of satanically sadistic sound design not heard since the last time a Norwegian church went down in flames and Mayhem reigned. This Witch doesn’t simply whisper in from the forested shadows of Burkittsville, Maryland’s eerie Black Hills, snatching hapless humans. There’s something creaky in the woods, and splintery, booming, and downright ear-splitting.
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